Your playbook
The Church Production Playbook.
Here’s the whole thing — no fluff. This is the run sheet, gear guidance, and cheat sheets I actually use with church teams. Print it, hand it to your volunteers, keep it forever.
Start here: the 6-minute production walkthrough
A real church production setup, start to finish. Watch this first — it frames everything below.
Part 1
The Sunday Service Production Checklist
The run sheet that keeps Sunday calm. Work it top to bottom.
During the week
- ▢Build every lyric/slide in ProPresenter; spell-check; confirm song arrangements with the worship leader.
- ▢Import sermon graphics, announcements, lower-thirds, and videos — and test that every video plays with audio.
- ▢Confirm the service order with whoever’s leading. Flag baptisms, communion, kid dedications, anything special.
- ▢Charge wireless mic batteries and stage your spares. Update this week’s stream graphics (title, scripture, date).
Soundcheck (before doors)
- ▢Power up in order — console first, amps and speakers last — to avoid the pop.
- ▢Line-check every input: each mic, DI, and playback. Confirm phantom power on condensers.
- ▢Set gain structure (trim before fader), then build monitors/IEMs, then a rough FOH mix. Run a full song.
- ▢Confirm ProPresenter is hitting every screen — audience, stage display, and the stream output.
- ▢Bring the stream up in standby; confirm the encoder is healthy (stable bitrate, no dropped frames).
Pre-service (15 minutes out)
- ▢Loop the countdown / announcements on the screens and the stream.
- ▢All mics muted until needed; confirm the host/pastor mic works and sits at the right level.
- ▢Operators in position (lyrics, audio, stream, lighting), comms working. Pray with the team.
During the service
- ▢Lyrics: stay one slide ahead and watch the worship leader, not just the chart.
- ▢Audio: ride the vocals, mute open mics between elements, catch feedback before it catches you.
- ▢Stream: keep the active shot on whoever’s talking or singing; cut to graphics on transitions; watch chat for “no audio.”
- ▢Lighting: bright and even for teaching, dynamic for worship — match the moment.
After the service
- ▢End the stream cleanly (outro/loop), stop the recording, confirm the archive uploaded.
- ▢Power down in reverse — speakers/amps off first, console last. Pull wireless batteries.
- ▢30-second team debrief: one thing that went well, one thing to fix next week. Note any gear that needs attention.
Part 2
The gear that actually matters
You don’t need everything — you need the right few things, solid. Here’s the order I’d buy in:
- →A dedicated presentation computer. Don’t share the ProPresenter machine with anything else. Reliability beats horsepower.
- →A digital audio console (X32 / M32-class). Recallable scenes + a clean, separate stream mix change everything for a volunteer team.
- →One good camera beats three bad ones. Add a switcher (ATEM-class) only once you actually have multiple cameras.
- →A control surface (Stream Deck + Companion) to turn complicated actions into one button your volunteers can’t get wrong.
Part 3
ProPresenter quick-start cheat sheet
- →One presentation per service, built in service order, so you’re never hunting mid-service.
- →Set your default slide size to match your output resolution, and use one consistent theme.
- →Turn on the Stage Display with next-slide preview + a clock — your worship leader will thank you.
- →Map outputs on purpose: audience screen(s), stage display, and a separate stream output so you can show different content online.
- →Keep dedicated “Clear” buttons (clear all / clear slide) so lyrics never get stuck on screen.
- →Pre-load videos into the playlist — never drag from the desktop live. Test the whole service before doors.
Part 4
Livestream, simplified
- →Audio is 80% of it. Send a dedicated mix to the stream — not a mic pointed at the room. Consistent levels beat fancy.
- →1080p30 at ~4,500–6,000 kbps is plenty. On a weaker connection, 720p at ~3,000 kbps looks better than a stuttering 1080p.
- →Hard-wire the encoder with ethernet. Leave headroom — your upload should be at least 2× your bitrate.
- →Always keep a “We’ll be right back” loop ready, and record a local backup separate from the stream.
- →Frame at eye level, fill the frame with the stage, and kill backlight from windows.
Part 5
Keep going — it’s all free
When you’re ready to go deeper, this is where I put everything:
500+ free church-tech training videos on YouTubeWant me to look at your setup?
If you’d rather not piece it together alone, we can hop on a call — I screen-share into your system and we fix what’s actually stuck, together.
See how a one-on-one session works